The Universe

Background

Born in China, adopted and brought to France at the age of eleven months, my journey is rooted in a founding tension between origin and absence, memory and reconstruction. This in-between shapes an intimate and ongoing search: that of identity, of the sensible, and of what escapes words.

My eye was formed in the demanding world of fashion within The Wall Group, where I absorbed the rigour of the image, compositional precision, and the power of visual identities.

In 2020, I opened my own interior architecture studio, pursuing an exploration of spaces as emotional, structured, and narrative experiences.

Since 2022, I have devoted myself entirely to my artistic practice.

My work is built around an aesthetic of contrast, radical and essential. Black and white become a primary language, at once raw and sophisticated, where light and shadow confront and answer each other. Chinese ink, organic and unpredictable, introduces an instinctive, almost meditative dimension, while acrylic on canvas allows a denser, layered and tactile writing, made of superimpositions, ruptures and transparencies. Photography, for its part, captures suspended, silent and introspective fragments, where reality tips into abstraction.

This practice is part of a demanding visual research, at once minimalist and expressive, conceptual and profoundly sensitive. It questions the trace, the erasure, the tension between control and accident, within a pared-down, powerful and contemplative aesthetic.

To create, here, is to reveal the invisible in its most essential form.